with Martin Walser and Heinrich Boll (1955)
Paris
with Martin Walser and Heinrich Boll (1955)
Paris
What we need to question is bricks, concrete, glass, our table manners, our utensils, our tools, the way we spend our time, our rhythms. Question that which seems to have ceased forever to astonish us. We live; true, we breathe; true; we walk, we open doors, we walk down the stairs, we sit at the table to eat, go to bed to sleep. How? Where? When? Why?
Describe your street. Describe another street. Compare them.
Make a list of what’s in your pockets, or your bag. Ask yourself where these things came from; what are they for and what will become of them?
Question your teaspoons.
What is under your wallpaper?
from Before Night Falls (Antes que Anochezca)
“In those days I had a different idea about sexual relations; I loved someone and I wanted that person to love me; I did not believe that one had to search, unceasingly, to find in other bodies what one body had already provided.” – 64
“The gay world is not monogamous. Almost by nature, by instinct, the tendency is to spread out to multiple relationships, quite often to promiscuity. It was normal for me not to understand this at the time; I had just lost my lover and felt completely disillusioned.” – 64=65
“We would all bring our notebooks and write poems or chapters of our books, and would have sex with armies of young men. The erotic and literary went hand in hand.” – 101
“The ideal in any sexual relationship is finding one’s opposite, and therefore the homosexual world is now something sinister and desolate; we almost never get what we most desire.” – 108
“The sea was like a feast and forced us to be happy, even when we did not particularly want to be. Perhaps subconsciously we loved the sea as a way to escape from the land where we were repressed; perhaps in floating on the waves we escaped our cursed insularity.” – 114
I Got Off the Train I got off the train And said goodbye to the man I'd met. We'd been together for eighteen hours And had a pleas...