Philippe Soupault


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 tomato blossoms

Don't know where to go
Set
plumb
bedded
In advance
Board the wagons
Bring on the brooms
What is there! The colors of the small fish
Or the lousy automobiles
Or the practical safety pins
Or the tall cylinder hats
Or Mr. X.
Or the newspaper kiosks
You just have to know how to use them.

Philippe Soupault

From The Magnetic Fields (with Andre Breton)

PERPETUAL FASHIONS

Crime of teenagers English salt
River of chapped hands
Palace of celebrations and dawns
Red red the song
Sweet sugar become the color green
Sensations gone pale
Courage virgin blotting paper
A fly strikes fear in old men
They discover a brain there are red ants
March
March
Hallelujah


Philippe Soupault


Philippe Soupault (1897-1990), French writer.


Epitaph for Francis Picabia

Why
did you want us to bury you with your four dogs
a newspaper
and your hat
You asked us to write on your grave
Have a nice trip
They’re going to take you for a fool up there too

                                    Translations by John Lyons


Rilke



 It’s possible I am pushing through solid rock

in flintlike layers, as the ore lies, alone;
I am such a long way in I see no way through,
and no space: everything is close to my face,
and everything close to my face is stone.

I don’t have much knowledge yet in grief
so this massive darkness makes me small.
You be the master: make yourself fierce, break in:
then your great transforming will happen to me,
and my great grief cry will happen to you.

                                    Rainer Maria Rilke
                                    (Translated by Robert Bly)

Philippe Soupault

                                Phillipe Soupault and Erna Niemeyer-Richter, Berlin, 1934


SPORT ARTICLES

Courageous like a stamp
he went his way
tapping softly in his hands
to count his steps
his heart red as a boar
beat beat
like a pink green butterfly
Now and then
he planted a little satin flag
When he had walked a lot
he sat down to rest
and fell asleep
But since that day there have been many clouds in the sky
many birds in the trees
and there's been a lot of salt in the sea
There also have been lots of other things

Philippe Soupault, translated by Johannes Beilharz

 

Tony Harrison

persona image 

from A Kumquat for John Keats


Now were you twenty five or six years old 
when that fevered brow of yours at last grew cold? 
I've got no books at hand to check the dates. 
My grudging but glad spirit celebrates 
that all I've got to hand's the kumquats, John, 
the fruit I'd love to have your verdict on, 
but dead men don't eat kumquats, or drink wine, 
they shiver in the arms of Proserpine, 
not warm in bed beside their Fanny Brawne, 
nor watch her pick ripe grapefruit in the dawn 
as I did, waking, when I saw her twist, 
with one deft movement of a sunburnt wrist, 
the moon that feebly lit our last night's walk 
past alligator swampland, off its stalk. 
I thought of moon-juice juleps when I saw, 
as if I'd never seen the moon before, 
the planet glow among the fruit, and its pale light 
make each citrus on the tree its satellite. 

Primo Levi

 

Agave

I am neither useful nor beautiful, 
Have no pleasing colours or scents; 
My roots eat into cement, 
And my thorn-edged leaves - 
Sharp as swords - protect me. 
I'm mute. I speak only my plant language, 
Hard for you, man, to understand: 
An out-of-use language, 
Exotic, since I come from far away, 
From a cruel country 
Full of wind, poisons and volcanoes. 
I've waited many years before sending up 
This towering desperate flower of mine, 
Ugly, wooden, stiff, but stretching towards the sky. 
It's our way of shouting: 
I'll die tomorrow. Now do you understand?


                                        Translated by Ruth Feldman



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